Showing posts with label gage young. Show all posts
Showing posts with label gage young. Show all posts

Sunday, June 27, 2010

Todays Shoot - Fit For An Autopsy

So Im writing this four days short of a month late. things have been extremely busy, and as you can imagine, this is a labor of love, so when I dont have time this blog seems to suffer, but for those holding on... thanks for following.

So! if you remember I did a seminar in Jersey with Gage Young, which was at the syndicate building, which is also where Machine has his studio (hes a well known producer) - as I was walking in the hallway I ran into my good friend Nate Johnson! you might know him from since the flood, or turmoil.... or through the eyes of the dead... and now youll known him from fit for an autopsy! and god DAMN! do they rule. br00tul death metal! now, not only is Nate the vocalist of the band, but Will (who works with machine) is also in the band! so I asked them to come by and be a guest band at the seminar.

Below is the photo shoot I did with them that day, and please keep in mind this was not a legit shoot as much as it was different types of lighting, locations, and situations for the students to learn from.

I started in the hallway by an old freight elevator, using just a boomed beauty dish - I was shooting at F18 at a 160th at ISO100 - with the dynalite jackrabbit uni400 - canon 1ds mark 2 and the 24-70 2.8 - I really wanted to show the different things you could do with minimal lighting, such as one light, two lights, three lights... what most start off with




































After that we rolled outside and I did some natural light shots in front of a silver drop gate garage. What I tend to do when shooting natural is to try to have a very solid background, one pattern, etc. because it doesnt take too much focus off of the band. these are 2.8 at 1000th - again iso100
























We then hit under the bridge, where just a month or so earlier I was shooting Iron Thrones - I wouldnt have used this location in a real shoot because I had used it VERY recently, but again, this was to show students.. I shot these with alllmost split lighting - id say they were turned in just a bit more then split - and i shot this TOO SLOW! i was at a 10th-15th and should have really upped my ISO in order to get what I needed. but, i was in a bit of a rush as I had two more quick sets I wanted to do. Luckily i have extremely steady hands and for the two images with too much movement - i have 15 usable images





























Next set we did was a big open shot with three lights - using the CAT that was in the lot across the street. I put two umbrellas up REAL high - and used a beauty dish in the middle trying to get solid light in all areas I needed - this was shot at F8 as the lights were spread so thin, I had to shoot at a 250th to make sure the sky didnt white out - and in all I have about 4 solid shots from this set (which is good cause all you really need is one!)




































After this the group moved on to Gage but I decided to do some more photos of the guys, and in turn got my favorite little lighting trick of the day - I took them into a hallway - and shot with just the boomed beauty dish... I wasnt a fan, so I did this nifty trick... i used two bares behind them - one pointed toward them and down to give cast shadows underneath them, toward the lens, and the other pointed away from them, pointed up to add light to the hallway and give them more depth/seperation. - this was shot at a 10th at F18 to bring in the natural light as fill, even did some photos of pats new born baby with the same set. - i have two set up shots here - with and with out the lights going off so you can really see what it does - and no - the baby isnt crying - he was yawning - awwww.




























































































After doing a bit of that - i did some photos of nate doing vocal tracking cause the dudes needed them for in studio reports and such - I shot these at 2.8 iso800 - and went between a 30th and 60th - i had to really aim and wait for steadiness and of the 40-50 images i took about 2 have blur in them, so sometimes its worth the risk to really get the natural lighting in there.




































All in all jersey was a pretty big bust aside from getting to do this shoot with friends, see ray chaos, and teach a very small intimate group - the most weve ever taught anyone before.

The next seminar is back in Mass - sept 11/12 - should be good times!

Friday, June 25, 2010

Todays Shoot - Silent Bob (Saffer)

So I was in Jersey to do a workshop, I rolled in a day early to check out the spot and prep.

FUCK NEW JERSEY/NEW YORK! its all traffic all the time, and everyone drives like a kamikaze terrorist all tryin to kill me.

Anyway we were an hour or so from Red Bank, NJ. which is where the infamous CLERKS was filmed.

I went to the quick stop about 3 years ago with all that remains, when on a mini tour in a van, but wanted to go again and be nerdy.

Gage and I rolled up and took some natural light photos of each other in front of the quick stop, if we had a third person it woulda been a perfect Gage and Silent Saff photo - but alas, it was just us.

Anyway - it was shot at an 800th ISO100 at 2.8 - tadaaa












After doing the shoot we went to jay and silent bobs secret stash, I got some stuff, we went back to jersey and did our seminar... which will be my next post!

Monday, April 12, 2010

Todays Shoot - A Day To Remember (live)

Sometimes I find something to be a good idea, or a bad idea, or a bad idea that i just cant pass up.

After a two day workshop I need recovery time, but some of my favorite people on earth were going to be playing a massive super sold out show at the house of blues in boston, and I pretty much couldn't miss that no matter what. - for those who havent been there - house of blues shares the street with the far side of fenway park

































Gage Young was in for the seminar, and as most know, he tends to tour with and photograph ADTR the most, so I figured it would be extra awesome to have both of the token ADTR photogs shooting them at the same time.

We rolled up early to hang a bit, I parked behind one of the vans and after about 20 minutes, Gage, Josh, Neil, Alex, and Myself were rolling out to get Chipolte and i found a $75 dollar fucking ticket on my car. FUCK OFF! so pissed.



















I parked in the garage next to the house of blues - and caught up with the dudes, killed some chipolte.

After that we were heading out to newbury street area to hit some stores so Alex and Neil could be fashionable haha. We hit Karma Loop (which is a really cool store, but im seriously not cool enough to wear anything they sell... like 70 dollar t-shirts) We then went over to mass ave, and passed my old school Berklee College of Music - so it was cool to be in my old stomping grounds for a sec














We hit a store around the corner of Berklee, called Bodega which is the coolest shit ive ever seen - it looks like a mini mart youre going to get stabbed in - then you walk up to the beat-snapple machine - and its a sliding door leading to a beautiful massive store - that also sells things that are way too cool and expensive for me to wear. haha. sorry no pics of how awesome it is.

We went back, and pretty much hung in the bus until ADTR was rolling inside. We scrambled a bit to get our photo passes - but luckily got them directly from the TM and didnt have to sign our souls and photo rights away to the House of Blues.

Unfortunately for Gage and I - they have new management - new crew etc. So for myself and Gage, who usually photographs their entire set, (me with flash), i was shot down by the TM under the first three songs-no flash rule. BUMOUT! but whatever, still got epic shots. - I know the boston show was hectic as fuck, so maybe on the next tour/show I can sort shit out.

On the bus we were nerding out with the fisheye







































After jumping off the bus - we hung outside for a sec, again taking photos, being nerdy, then we went backstage to the dressing room where there were something like 4 cameras, everyone was being a photo nerd, taking photos of each other, and oh look, Jack Strong of The Acacia Strain showed up to hang too.
































































ANNNYYYWAY - here are some photos! yeay! - being that it was so hectic I shot the first three songs entirely with my 16-35 2.8 lens - i had a fisheye in my pocket - but gave it to Gage to use for his shots as he only had a 50.

I jumped my ISO to 800 - and shot at 2.8 - i changed my speed from a 125th - 200th depending on what was going on with the lighting - I really tried to use the awesome show they had to make it look as huge as it was.

Check out the 9 unedited photos below





















































































































After shooting the first three songs - I went to the side of the stage to watch the show with no intention of really shooting anymore... but once I saw the crowd from that angle... oh man.. I HAD to get shots of it... then on top of that - I got to see them perform "if it means alot to you" for the first time, and obviously had to get shots of jeremy playing guitar while the sold out crowd sings along... so amazing!




















































Now, im not exactly the most posi-dude on earth, nor religious, im kinda a negative dude 110% of the time.

Watching these five kids go from a point where one of their parents flew them up for a photo shoot, they played to 50 kids at a small vfw hall just a couple years ago... and now they are headlining and selling out every venue they hit. From no production to a LED video screen, full stage show, canons, confetti(not in boston), risers, a full round-the-drummer ramp... To say I am proud of them would be the understatement of the century. I hate the newly coined term "dey my pride!" - but they really are. Every single dude in the band (including tom who is no longer in the band) are beyond excellent people, and excellent friends. Needless to say, I am truely blessed (in the most non-religious way possible) to be able to take a side-seat and watch the careers of those who have become my very good friends, flourish into stardom. Love these dudes, love the tunes, and am SO proud of where they are now.

Well, I will end this is the most cliche way possible... 3 years ago we first heard the lyrics "mark my words, were taking over the world".. now... they truely have.

I cant wait to see what the future holds for these dudes. SO! PROUD!

Sunday, April 11, 2010

Music Photography Workshop w/ Gage Young and Jeremy Saffer

So this will be a bit different then the posts you are used to. I figured this was a good spot to talk about my week and weekend.

For those who follow, you know I sometimes do music photography seminars, and this time around I was splitting one with Gage Young (www.gageyoung.com) - his website will be back soon if its not up when you go to view it.

Gage is well versed and known for his images of upcoming and established pop/punk/rock bands namely in AP magazine, as well as a slew of others. I was always a big fan of his work since I first saw it around when Homesick (adtr) came out.

www.jeremysaffer.com/workshop (has all the info on it)

Anyhoo. we got TWENTY! students for this SOLD OUT! workshop - largest class to date. People flew in from Oklahoma, Utah, Florida, and MANY from NJ and NY, as well as a few locals.



















After a bunch of help from Nick Bessette, who covered the windows, thereby making it so the sun would not ruin the slide show, we were ready to roll.

(please note - photos were taken by Gage Young, Nick Bessette, Eva Prior, Aubrey Lewis, respectively.)
Day 1...
The first day was the slide-show - where we talk about every single aspect of being a photographer in the music industry - from getting started - to selling your images - who to contact, and why, what words to use, how to set up shoots, yada yada yada




















































Here are some shots taken by Nick of the photonerds during the break!







































The last part of the day was a Lighting demo, where we both showed a variety of how to use one, and two lights to create different looks in a studio location situation, really trying to stress that you dont need 6 lights and 25 grand in equipment to produce a print-worthy shot (as some of the younger, and newer photographers tend to believe at times haha)

here are some shots of the lighting demo

































































After the lighting demo we took some group shots of the entire crew







































That was pretty much the end of day one. We went back to the house, hung out a bit, got a couple hours of sleep, then gathered up and hit the studio for day 2...

Day 2...
Today was more of a hands on day, where three bands (Our Last Night, Thy will Be Done, and With Words) were coming in to do demo shoots with Gage and I, then modeling for the students, so they could apply what they learned to a very real and specific assignment shoot.

Here are some shots of myself photographing thy will be done, and gage shooting our last night for lighting demos.

































































Rather then doing a free-for-all - we made Gage, Nick, and I - TOUR MANAGERS! - each photographer had 10 minutes to shoot - and did a shoot in studio - indoors on location - and outdoors with each of the three bands using different equipment for each shoot!

After a few hours - and alot of hunger (we didnt have time to stop for lunch due to the schedule) - we ate - some of the students who had drives, had to jet out, as we finished day 2 with a lightroom/photoshop tutorial.

All in all it was an AMAZING success, I liked working with Gage, and I think our next one will be even better.

We recorded it all for a possible dvd, but didnt put much into the production of it. unfortunately one person was talking semi-often while we were teaching, and cuts out some of our audio - so, i dont know if the dvd will ever see the light of day, but hopefully we can figure that out. or we will just reshoot another seminar, knowing that it wont be the same.

Gage ended up not only being an excellent dude to split a seminar with, but an excellent friend as well. I will absolutely be working with him again in the future, and needless to say, the bonds made during this seminar between the students, gage, myself, etc. are half of what makes doing these seminars so awesome to me.

Til the next one... Thanks everyone who came, everyone who read this, and everyone whos shown interest
here are the two sexiest dudes alive, in the SAME PHOTO!