According to WWTDD she has one of the best butts in modeling. so I guess you can judge below.
I noticed right away that she shot for my good friend Bella Vendetta, so I figured she was local(ish) and hit her up to do a shoot.
She was SUPER pumped to come out and shoot - and was also getting rave reviews from my friend Bella.
According to Cam, this was her first real - big - shoot that she has done - ever, and on top of that - apparently the massive post on WWTDD didnt net her many solid shoots - so - other photographers... SWRONG WIT CHU!?
We started off shooting some stuff for my forever on going fine-art/goth/fetish/lingerie fashion nude project - which - if youve been following - is - split lighting 2 3x4 soft boxes profoto compact 300s - this time i turned the power down to about 50% - shot with the 70-200 at F16 at a 160th - at ISO100 - I messed with the positioning of the model a whole bunch in this shoot, some a bit in front of the soft boxes, some a bit behind but mostly between the two. - also to answer a question - in studio I tend to use the 70-200 the most because i really like the range over the other lenses I use - I stay telephoto because i really cut out all surrounding environment - and for those shooting in studio - i STRONGLY suggest this lens.
unedited images below
After shooting in studio we decided to go outside the studio - we did one quick shot in the hallway - which i have shot before but only at night - so shooting it with a grey sky in the window was kind of cool - for this i took the 24-70 - shot at ISO100 at an 80th - F14 - I used two cold tone umbrellas (silver lined, rather than white) w/jackrabbit uni400s turned down to half power. I generally used the 16-35 on location but i like the 24-70 a bit more because it still goes wide but gives me the leeway to go tight on some crops
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after shooting that quick one, we went outdoors and shot a bunch of fine-art nude stuff - but I wasnt really feeling it for the industrial areas -and it was already starting to get dark - i did some shots against the grey sky that i was cool with, but still not exactly what I wanted to snag - the settings for the sky shots are - split lighting but angled a bit in front of the model to block out more shadows - shot at F14 at a 125th to have the sky go a stop darker than the model
unedited images below
on the way inside I found a spot that was being hit with solid soft lighting so i shot some naturally lit photos i really liked - the window behind broke up the monotony of the industrial area while the window - camera left - was giving her a good mix of soft light and hard shadows - these are at ISO400 - F2.8 at a 25th - see unedited images below
Then it was time for CORPSE PAINT! - because the light was fading and nearly gone - we started outside - I shot all of these with a single uni400 Jackrabbit dynalite with a soft box - boomed up very high - pointed straight down - at 50% power - but then i jumped down to 25% power to save battery. The first shots only were F22 - the rest are F14 (due to the power change) - I did three sets outside and three sets in the basement - but you cant really tell the difference.. all ISO100 - and with the 24-70 - unedited images below
After shooting outdoors I had an idea to shoot her on the toilet - just cause i thought it would be funny - so i boomed a light above one of three stalls and got this for the hell of it - it probably wont get used anywhere but - i thought its kinda silly - these were at F20 as the light was a bit closer to her than the outdoor shots - unedited images below
we finished up in studio - both on white - first with split lighting - same settings as the first set - 160th - but i jump up to F18 to darken a bit more for the corpse paint - then the last set was with a boomed beauty dish - and jumped up to F20 - if you pull a beauty dish away from a background it gives it an AWESOME dark scrimmed light which you can see from some of the on location images as well - with white - it makes it go grey - even dark grey - which i think really works to pop the corpse paint in these shots. - unedited images below
Cam is awesome - hopefully she will be coming back in the next month or two for another shoot!
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